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Our first stop in Seattle was to Denny and Rennies, our cruising friends from Columbia several years ago — such a warm welcome. His first unaccompanied flight, we were so proud of him as he set off.

An interesting time for Huon also as this was the first instance when they have been separated — in the end the parents stressing more than the boys!

As we did last year, a magic several days down at Stretch Island in Southern Puget Sound, July 4 th fireworks, kayaking, crabbing etc with Huon happily being a shadow to 3 older boys — now one of a pack taking on all the fashions and actions of the older boys.

Plenty of activities in Seattle over the next 6 weeks along with a pleasant offer to stay in their house in Vancouver from other cruising friends we met in Costa Rica in , Gary and Jeanine from High 5 — they are taking their yacht down to La Paz, and Costa Baja Marina over the summer.

Just the odd other yacht floating around. Two weeks just getting back into the cruising mode as we are now tied to the marina most of the time.

The highlight was the diving with seals at Isla Los Islotes, where the seals where very happy to perform for the camera with an apple as a toy.

A really wonderful trip with excellent weather. Last weekend we visited La Duna for an evening with several of our local Mexican families. This rustic and very environmentally friendly resort provides a magic location just to chill and chat for the children and adults that went very late into the evening.

February was rather quite, school runs, Mel studying all rather domestic. I popped down to Barra Navidad, south of Puerto Vallarta to bring Princess 1 back to La Paz, as expected on the nose most of the way so, double the time taken to get down there, some 3 days for some miles much of the time at around 7 knots.

A few days later to Cabo San Lucas so she could be hauled out for her yearly maintenance. We had a magnificent week with our dear friends from Monaco, Poala, Antoine and Daniel their 6 year old son.

Our new old two car family made arrangements easy. Mel was also busy for a few days helping arrange provisions for a couple of large yachts, something we might consider more of later on.

Finally we actually had some of that thing called work. Princess Two in the Caribbean was within days without a crew — Mel biting the bullet, agreed to come along for 4 weeks to cook.

Leaving the boys for such a time was a very big decision, but with our delightful La Paz friends and children Igor and Daniella we could feel they were in very safe hands.

Princess Two was in St Thomas the US Virgin Islands, the first demonstration trip was cancelled and the second charter with guest from Mexico city is best not talked about we did our best in trying conditions with untrained crew — the fact that the two Mexican crew were left tips and the 3 Anglo Saxons were not says it all — funny to experience a little discrimination on our side, makes one respect what other non-white Anglo Saxon cultures have to deal with.

Our taxi driver, Sobers, providing me with several hours of laughs as we went shopping for parts and food. With 4 crew for the mile trip from St Thomas to the Bahamas a couple of long nights, made longer by the 10 minute departure in the Turks and Caicos of the rather useless South African stewardess.

Now in Hurricane Hole Marina for the last day of a very quick two day hand over to the 4 new crew. Cipriano, our hard working and delightful Mexican mariner will stay until the boat heads to Florida in April.

Looking forward to being back on Sonrisa with the boys and Peluchie for the normal Easter cruise. As with last year we headed out to Playa Bonanza for a family week over Christmas.

Clear sunny, blue skies, a magic empty beach and just a few other yachts around made for a delightful and relaxing time.

Trips to see the de commissioned aircraft carrier Midway and a trip to the expansive San Diego Zoo were the touristy highlights.

Our Friends Alex and Dariella sold us their old Mitsubishi Montero, which will deal with the Mexican roads and crazy traffic much better than the aging Subaru.

By train we headed north for a few days to Santa Barbara to see our old friends Kevin and Carolyn — what a magic house they have near the beach, with many Asian touches from their house in Bali.

We all had fun in this tranquil town, Mel particularly enjoying the shopping! After getting the Montero serviced we cruised down to La Paz via Mexico Highway 1 in sections worse than our country road to Bream Creek in Tasmania very dangerous and really a poor excuse for a highway.

Three nights along the way in San Quintin, San Ignacio and Loreto were magic, each hotel having plenty of character and hospitality.

The boys finally got back to school a week late but the travels more than made up for it, though they did seem to spend most of their time watching videos or on the Kindle.

A rather quiet few months during autumn, such a quick change from the hot summer. Daylight saving has finished, so dark mornings are over and the evenings are considerably longer, delightful to lie back on a cool evening with a good book.

I, unfortunately, was doing something rather strange — working. Thankfully only a few short trips involved as I would not last any longer!

The boys continue to progress well at school, their Spanish well ahead of mine. For Christmas we will head out to anchor for a week, very quiet and relaxing away from the, already, overwhelming commercial shit.

Our 6 monthly visa run will be up to San Diego to stay with good friends and hopefully buy a larger, newer car.

After this we plan to spend a week, driving back to La Paz taking in the length of Baja California, generally looking forward to the wine country up North.

Max M Fisher Music Center. Palacio de Vista Alegre. Palau Reial de Pedralbes. Perth Convention and Exhibition Theatre. Pikes Peak Center for the Performing Arts.

Queensland Performing Arts Centre. Radio City Music Hall. Robinson Center Music Hall. San Jose Center for the Performing Arts. Saratoga Performing Arts Center.

Segerstrom Center for the Arts. Southern Alberta Jubilee Auditorium. Tanglewood - Koussevitzky Music Shed. Teatro de la Zarzuela. John Le Mesurier features in the early scenes of the film as M's driver.

Feldman represented Ratoff's widow and obtained the Casino Royale rights. Broccoli , who had a long time interest in adapting James Bond, offered to purchase the Casino Royale rights from Feldman, but he declined.

They eventually gave up once they saw the film Dr. The attempt at a co-production eventually fell through as Feldman frequently argued with Broccoli and Saltzman, specially regarding the profit divisions and when the Casino Royale adaptation would start production.

Feldman approached Sean Connery to play Bond, with Connery's offering to do the film for one million dollars being rejected. Given Eon's series led to a spy film craze at the time, Feldman opted to make his film a spoof of the Bond series instead of a straightforward adaptation.

Ben Hecht's contribution to the project, if not the final result, was in fact substantial. The Oscar -winning writer was recruited by Feldman to produce a screenplay for the film and wrote several drafts, with various evolutions of the story incorporating different scenes and characters.

All of his treatments were "straight" adaptations, far closer to the original source novel than the spoof which the final production became.

A draft from discovered in Hecht's papers — but which does not identify the screenwriter — is a direct adaptation of the novel, albeit with the Bond character absent, instead being replaced by a poker-playing American gangster.

Later drafts see vice made central to the plot, with the Le Chiffre character becoming head of a network of brothels as he is in the novel whose patrons are then blackmailed by Le Chiffre to fund Spectre an invention of the screenwriter.

The racy plot elements opened up by this change of background include a chase scene through Hamburg 's red light district that results in Bond escaping whilst disguised as a female mud wrestler.

New characters appear such as Lili Wing, a brothel madam and former lover of Bond whose ultimate fate is to be crushed in the back of a garbage truck, and Gita, wife of Le Chiffre.

The beautiful Gita, whose face and throat are hideously disfigured as a result of Bond using her as a shield during a gunfight in the same sequence which sees Wing meet her fate, goes on to become the prime protagonist in the torture scene that features in the book, a role originally Le Chiffre's.

Virtually nothing from Hecht's scripts was ever filmed. He died from a heart attack in April , two days before he was due to present it to Feldman.

Time reported in that the script had been completely re-written by Billy Wilder , and by the time the film reached production only the idea that the name James Bond should be given to a number of other agents remained.

This key plot device in the finished film, in the case of Hecht's version, occurs after the demise of the original James Bond an event which happened prior to the beginning of his story which, as Hecht's M puts it "not only perpetuates his memory, but confuses the opposition.

Extensive sequences also featured London, notably Trafalgar Square and the exterior of 10 Downing Street.

Mereworth Castle in Kent was used as the home of Sir James Bond, which is blown up at the start of the film. The production proved to be rather troubled, with five different directors helming different segments of the film and with stunt co-ordinator Richard Talmadge co-directing the final sequence.

Val Guest was given the responsibility of splicing the various "chapters" together, and was offered the unique title of "Co-ordinating Director" but declined, claiming the chaotic plot would not reflect well on him if he were so credited.

His extra credit was labelled "Additional Sequences" instead. Part of the behind-the-scenes drama of this film's production concerned the filming of the segments involving Peter Sellers.

Screenwriter Wolf Mankowitz declared that Sellers felt intimidated by Orson Welles to the extent that, except for a couple of shots, neither was in the studio simultaneously.

Other versions of the legend depict the drama stemming from Sellers being slighted, in favour of Welles, by Princess Margaret whom Sellers knew during her visit to the set.

Welles also insisted on performing magic tricks as Le Chiffre, and the director obliged. Director Val Guest wrote that Welles did not think much of Sellers, and had refused to work with "that amateur".

Director Joseph McGrath , a personal friend of Sellers, was punched by the actor when he complained about Sellers' behavior on the set.

Some biographies of Sellers suggest that he took the role of Bond to heart, and was annoyed at the decision to make Casino Royale a comedy, as he wanted to play Bond straight.

This is illustrated in somewhat fictionalised form in the film The Life and Death of Peter Sellers , based on the biography by Roger Lewis , who has claimed that Sellers kept re-writing and improvising scenes to make them play seriously.

This story is in agreement with the observation that the only parts of the film close to the book are the ones featuring Sellers and Welles.

Jean-Paul Belmondo and George Raft received major billing , even though both actors appear only briefly. Both appear during the climactic brawl at the end, Raft flipping his trademark coin and promptly shooting himself dead with a backward-firing pistol, while Belmondo appears wearing a fake moustache as the French Foreign Legion officer who requires an English phrase book to translate " merde!

At the Intercon science fiction convention held in Slough in , David Prowse commented on his part in this film, apparently his big-screen debut.

He claimed that he was originally asked to play "Super Pooh", a giant Winnie-the-Pooh in a superhero costume who attacks Tremble during the Torture of The Mind sequence.

This idea, as with many others in the film's script, was rapidly dropped, and Prowse was re-cast as a Frankenstein -type Monster for the closing scenes.

The final sequence was principally directed by former actor and stuntman Richard Talmadge. The story of Casino Royale is told in an episodic format.

Val Guest oversaw the assembly of the sections, although he turned down the credit of "co-ordinating director".

Sellers left the production before all his scenes were shot, which is why his character, Tremble, is so abruptly captured in the film.

Whether Sellers was fired or simply walked off is unclear. Given that he often went absent for days at a time and was involved in conflicts with Welles, either explanation is plausible.

The framing device of a beginning and ending with David Niven was invented to salvage the footage. He chose to use the original Bond and Vesper as linking characters to tie the story together.

In the originally released versions of the film, a cardboard cutout of Sellers in the background was used for the final scenes. In later versions, this cardboard cutout was replaced by footage of Sellers in highland dress, inserted by "trick photography".

Signs of missing footage from the Sellers segments are evident at various points. Evelyn Tremble is not captured on camera; an outtake of Sellers entering a racing car was substituted.

Out-takes of Sellers were also used for Tremble's dream sequence pretending to play the piano on Ursula Andress ' torso , in the finale - blowing out the candles whilst in highland dress - and at the end of the film when all the various "James Bond doubles" are together.

In the kidnap sequence, Tremble's death is also very abruptly inserted; it consists of pre-existing footage of Tremble being rescued by Vesper, followed by a later-filmed shot of her abruptly deciding to shoot him, followed by a freeze-frame over some of the previous footage of her surrounded by bodies noticeably a zoom-in on the previous shot.

As well as this, an entire sequence involving Tremble going to the front for the underground James Bond training school which turns out to be under Harrods , of which the training area was the lowest level was never shot, thus creating an abrupt cut from Vesper announcing that Tremble will be James Bond to Tremble exiting the lift into the training school.

So many sequences from the film were removed, that several well-known actors never appeared in the final cut, including Ian Hendry as , the agent whose body is briefly seen being disposed of by Vesper , Mona Washbourne and Arthur Mullard.

For the music, Feldman decided to bring Burt Bacharach , who had done the score for his previous production What's New Pussycat?

Bacharach worked over two years writing for Casino Royale , in the meantime composing the After the Fox score and being forced to decline participation in Luv.

Lyricist Hal David contributed with various songs, many of which appeared in just instrumental versions. The title theme was Alpert's second number one on the Easy Listening chart where it spent two weeks at the top in June and peaked at number 27 on the Billboard Hot It is played in the scene of Vesper Lynd recruiting Evelyn Tremble, seen through a man-size aquarium in a seductive walk.

It was heard again in the first Austin Powers film, which was to a degree inspired by Casino Royale. Bacharach would later rework two tracks of the score into songs: A clarinet melody would later be featured in a Cracker Jack commercial.

As an in-joke, a brief snippet of John Barry 's song " Born Free " is used in the film. The original album cover art was done by Robert McGinnis , based on the film poster and the original stereo vinyl release of the soundtrack Colgems COSO That record has been regarded by some music critics as the finest-sounding LP of all time, and is still highly sought after by audiophiles.

The soundtrack album became famous among audio purists for the excellence of its recording. It then became a standard "audiophile test" record for decades to come, especially the vocal performance by Dusty Springfield on "The Look of Love.

The film soundtrack has since been released by other companies in different configurations including complete score releases. The highly regarded master tapes were damaged, however, during a s remastering so none of the subsequent re-releases are considered to be as fine as the original LP release.

However, during filming the project ran into several problems and the shoot ran months over schedule, with the costs also running well over.

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